Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | [anon.] | Rare works [Bach, 'Oratorio of the Passion']. |
MessageBird |
1 | 4 | 15 Sep 1849 |
64 |
|
| 2. | Fétis, François-Joseph | History of the piano-forte (Continued from page 144). [Harpsichords produce unusual timbres: 'jeu céleste' and 'angélique'; improvements made by Godfrey Silbermann of Freyberg and Blachet of Paris. Emergence of several great harpsichordists: François Couperin, Domenico Scarlatti, Rameau and Bach. Neglected accomplishments of Schobert; clavecin d'amour of Godfrey Silbermann and the 'vis-à-vis' of Johann Stein of Augsburg. Early attempts at pianoforte construction by Marius (France, 1716), Christian Amadeus Schroeter (Germany, 1717) and Cristofori (Italy, 1718)]. |
MessageBird |
1 | 11 | 1 Jan 1850 |
177-178 |
|
| 3. | [anon.] | A portrait. [Johann Sebastian Bach's modest manner of living] |
MessageBird |
1 | 13 | 1 Feb 1850 |
217 |
|
| 4. | Dwight, John S. | Bach's fugues (Original) [Definition]. |
MessageBird |
2 | 27 | 1 Sep 1850 |
443 |
|
| 5. | [anon.] | Editors of 'Message Bird' (London, August 15, 1850). [Bach Society. Buckingham Palace: Heinrich Werner, child prodigy pianist. Recent operatic productions] |
MessageBird |
2 | 28 | 14 Sep 1850 |
459-460 |
|
| 6. | [anon.] | Memoir of John Sebastian Bach. [Biographical sketches] |
MessageBird |
2 | 31 | 1 Nov 1850 |
511-512 |
|
| 7. | [anon.] | Origins of the Bachs as musicians. [General miscellany] |
MessageBird |
2 | 40 | 15 Mar 1851 |
651-652 |
|
| 8. | Dwight, John S. | Bach's fugues. |
MessageBird |
2 | 40 | 15 Mar 1851 |
653 |
|
| 9. | W. G. | Hullah's concerts -- Bach -- Handel -- Gluck -- Beethoven -- The opera. [St. Martin's Hall: Bach, Credo from the Mass in B minor. Gluck, 'Orfeo ed Euridice' (Act II). Her Majesty's Theatre: Caroline Duprez] |
MessageBird |
2 | 43 NS | 1 May 1851 |
65-66 |
|
| 10. | [Mason, Lowell] | Letter from Lowell Mason (Leipzig, March 12, 1852). Musik -- Vereins -- Euterpe; Gluck, Cherubini, Bach, Beethoven. Correspondence. [Gluck, Overture to 'Iphigenia in Aulis'. Cherubini, Requiem for male voices. Bach, Concerto for two pianos. Beethoven, Symphony no. 5]. |
MessageBird |
3 | 16 | 15 Apr 1852 |
233 |
|
| 11. | [Mason, Lowell] | Letter from Lowell Mason (Berlin, April 9, 1852). [Frederick the Great]. Wilhelm Bach. Military music. The 'Tod Jesu' by Graun, the 'Passion music' by Bach and the 'Seven Words' by Haydn. Correspondence. [Garnisonkirche: Julius Schneider (director)] |
MessageBird |
3 | 18 | 15 May 1852 |
275-276 |
|
| 12. | [anon.] | Interesting German tale. 'Ein feste Burg ist unser Gott' (Translated from the German, for 'The Musical World', by Henry Mason) [Fictional account of an incident in the life of Johann Sebastian Bach] |
MessageBird |
3 | 20 | 15 Jun 1852 |
333-335 |
|